Notes from a Vagrant Daughter (excerpt)


            It is very easy to sit at a Think Coffee in, say, the Village, or a Joe in the Upper West Side, and to believe in the pervasive illusion that New York is only five hours from California by air.  The truth is that Think Coffee and Joe are only five hours from California by air.  New York is somewhere else.
            Many people in the West (or "back West," as they say in New York, although not in Think Coffee or Joe) do not believe this.  They have been to Union Square or to Midtown, have biked down the Hudson Greenway and have seen the East River glazed by the afternoon sun off Long Island City, Queens, and they claim to have been to New York.  They have not been to New York, and probably never will be.  I happen to know because I come from New York, come from a white Latino family that has only recently been in central, gentrified Brooklyn.
            You might protest that no family who has "recently" moved here knows anything.  But it is characteristic of New Yorkers to speak grandly of immigration as if they had just stepped into the Consulate General office to receive their approved papers, and studied facts that not even fourth generation Americans know about their country in order to pass the citizenship test.  Excelsior--"Ever Upward"--as the state motto has it.  Such display of ancestry makes authority nebulous; my own childhood was saturated with too many accents to emulate and too many cultures with which to identify.  But that is not all I want to tell you about: what it is like to come from a place like Brooklyn.  I want to tell you that, but I want to tell you what it is like to never feel like you've come from any place at all.  If we can agree on that contradiction, then perhaps I can make you understand New York and the vibe it carries, for Brooklyn is New York, and New York is a place in which the anonymous chaos and a sense of hyperreal paranoia meet in awkward camaraderie; in which the skin tingles with the weight of exhaust fumes, vibrates with traffic honks, and glows with urban decay because here, beneath the shadows of streetlamps, is where the final stop lies.